CONTEMPORARY FICTION (NIGERIA)
We Were Girls Once by Aiwanose Odafen, 2024
R420 from The Book Lounge
A deft exploration of the many layers of oppression and separation present in our world, that manages to retain breathing space and an invitation to keep reading. Reading it made me think of the somatic practice of “penduluming” where you find a place of safety in your body that you can return to when you feel overwhelmed by pain and trauma. The safe place in this case is the powerful presence of female friendship – those people who do your hair, and know your shame, who recognise your girlhood self and who you can phone in a moment of heartbreak. The friendship between the three Nigerian women is what returns them home, returns them back to a sense of self, back to dignity. This is an exceptional read – nuanced, courageous and honest, weaving together the political and the personal. You will feel invited into the friendship circle, along for the ride of rage, heartbreak, loss, despair – and love and redemption. Shivani Ranchod
PHOTOGRAPHY / CINEMA (CONTINENT-WIDE)
The African Gaze: Photography, Cinema and Power by Amy Sall, 2024
R1485 from The Book Lounge
Thankfully more books like this are being published, which redress the dearth of accessible reference material documenting African visual culture as far back as colonial rule. This collection of striking images and comprehensive text is the result of strong interest in the course (of the same name as the book) that Amy Sall started teaching at The New School in New York in 2016. The photographers included are both the prolific – among these James Barnor (Ghana), Ernest Cole (South Africa), and Seydou Keïta and Malick Sidibé (both Mali) – and the lesser-known, such as Felicia Abban, one of the few women named and known in the realm. In addition, 25 filmmakers are reviewed, including Senegalese Ousmane Sembène, regarded as “the father of African cinema”. Sall is passionate about promoting culture while protecting it, and also founded SUNU Journal, a Pan-African platform for cultivating and archiving ideas concerning global blackness. A beautiful, moving, and important investment for anyone interested in Africa’s creative economy. Georgia Black